HISTORICAL AND MODERN DEVELOPMENT OF BOYSUN EMBROIDERY

Abstract

Uzbek embroidery is one of the most important branches of folk decorative art, embodying national culture, aesthetic views, and the artistic thinking of the people formed over centuries. This form of art serves not only a decorative function but also represents a spiritual heritage closely connected with the customs, traditions, and social life of the Uzbek people. Through the patterns and color compositions reflected in embroidery, the worldview of the people, their relationship with nature, and symbolic perceptions are expressed. This article examines regional schools of embroidery, in particular the embroidery traditions that developed in Boysun, their unique styles and artistic features, as well as the semantic meaning of the patterns used in embroidery.